2024 年中欧书画名家国际艺术线上交流展——陈万全

　　陈万全，1966 年 3 月生，现为中国石油高级工程师，国家高级书法艺术传承师，中国毛泽东诗词书画艺术国际研究院会员，香港特别行政区文联书法家协会会员，北京华夏国礼书画研究院高级院士，中国翰林书画院院士，中国书画家联谊会新文艺群体书画家工作委员会委员。热爱毛泽东主席，读毛主席的书，写毛主席的字，说毛主席的话。宣传毛泽东思想，为继承毛主席未竟的事业而奋斗!

　　观陈万全先生作品,师于“毛韵”却自出一格,或豪迈、或委婉、或奔放，时如风雨雷电、又似水流花开,有悠悠天地肝胆照、大泽龙蛇腾云起之气势。在墨饱酣畅间更显力透纸背的功底。写字比画画难!古语云：十年学写字，三年学画画。画画有很多色彩，形象，参照物，光线，距离等许多元素，而写字只有笔划和文字之间的关联。字由心生，现端于笔。在长期的实践中,陈万全先生以自我性情溶于笔墨驾驭。结字隽永,章法谨严,排列布局疏密有致，错落相谐，刚柔并济、浑然一体，观者能充分感受到绵绵无止的字韵“筋脉”之通贯。在感受陈先生之笔精墨妙的同时,亦祝愿他在中国书坛获得更为辉煌的成就。

　　看不完的锦山秀水春花秋月，回味不尽的乡愁旅思离情别恨，书不尽的江山社稷家国情怀。山因书法增秀，石因书法生情，水因书法含韵。天地之间只有黑白两色最为分明，黑白两色，清淡素雅，质朴率真，又值得推敲，经过千年凝练与沉淀，愈久弥香。展纸挥毫，笔走蛟龙。直画如剑，曲笔似藤，点若危峰坠石，撇如兰叶拂风。纵横捭阖辟新径，酣畅淋漓写人生，是点线的巧妙组合，是生命的悲喜交融。他的书法作品，其风神洒荡，长波大撇，提顿起伏，一波三折，意韵十足，不减遒逸《兰亭》，直逼颜氏《祭侄》，堪称行书之精品。草书轻如鸿毛，龙飞凤舞。

　　他下笔如行云，似流水，神采飞扬，笔锋游动，擒纵驰张，上下左右，点画间，无一处含糊、懈怠，法度尽在他的指腕之间。陈万全老师的书法，讲求意通神韵，骨气洞达，作书用势，一气呵成。其书法结构整齐，笔法富有变化，方圆并用，庄重大方。静中有动，动中有静，犹如流水行云，法道自然，好似清风徐来，意境深远。风格俊逸，章法神妙，体质天成。然其作品亦如人品，其雪其才德馨，赏者乐遇欣焉。他的草书几乎是通篇字字相连、一笔而成的。虽然字与字间偶有不连接处，但上下笔意贯串，首尾呼应相顾，而血脉相通，有一种笔墨飞舞、龙骧豹变、一气呵成的气势。在运笔过程中，每一个字的屹立部位，都似乎险象丛生，却又妙能在险中扣稳，使字形没有歪斜软倒之嫌，而有玲珑飞动之姿。

　　Chen Wanquan, born in March 1966, is currently asenior engineer at China Petroleum, a national seniorinheritor of calligraphy and art, a member of theInternational Research Institute of Mao Zedong'sPoetry, Calligraphy and Painting Art, a member of theCalligraphers Association of the Hong Kong SpecialAdministrative Region Federation of Literary and ArtCircles, a senior academician of the Beijing HuaxiaGuoli Calligraphy and Painting Research Institute, anacademician of the Chinese Hanlin Calligraphy andPainting Academy, and a member of the Calligraphers andPainters Working Committee of the New Art Group of theChinese Calligraphers and Painters Association. LoveChairman Mao Zedong, read Chairman Mao's books, writeChairman Mao's words, and speak Chairman Mao's words.Promote Mao Zedong Thought and strive to inheritChairman Mao's unfinished cause!

　　Looking at Mr. Chen Wanquan's works, he is inspiredby the "Mao Yun" style, but he stands out from the crowd.He is either bold, gentle, or unrestrained, sometimeslike wind and rain, lightning, or flowing water andblooming flowers. He exudes a serene aura of heaven andearth's liver and gallbladder, and the majesticpresence of dragons and snakes rising from the clouds.In the midst of ink saturation, it showcases a strongfoundation that penetrates through the back of thepaper. Writing is harder than drawing! As the old sayinggoes: learn to write in ten years, learn to draw in threeyears. Drawing has many elements such as colors, images,references, light, distance, etc., while writing onlyhas a connection between strokes and text. Words areborn from the heart and now end in the pen. In long-termpractice, Mr. Chen Wanquan has mastered writing withhis own temperament. The structure of the charactersis profound, the structure is rigorous, the arrangementand layout are dense and harmonious, with a combinationof rigidity and softness, creating a seamless unity.The viewer can fully feel the continuous and endlessrhyme of the characters, which connects the muscles andmeridians. While experiencing the exquisitebrushstrokes of Mr. Chen, I also wish him even morebrilliant achievements in the Chinese literary world.

　　The endless beauty of Jinshan, the spring flowersand autumn moon, the endless nostalgia, travel thoughts,separation, and hatred, the endless emotions of thecountry and the country. Mountains become morebeautiful due to calligraphy, stones develop emotionsdue to calligraphy, and water contains charm due tocalligraphy. Between heaven and earth, only black andwhite are the most distinct. Black and white are light,elegant, simple and sincere, and worth pondering. Afterthousands of years of refinement and precipitation, thefragrance lingers over time. Spreading paper and wavinga brush, the pen walks like a dragon. Draw straight likea sword, curve like a vine, point like a perilous peakfalling on a stone, and brush like a blue leaf brushingagainst the wind. The skillful combination of dots andlines, as well as the blending of sadness and joy inlife, creates new paths and vividly portrays life. Hiscalligraphy works are full of charm and charm, with longwaves and sharp strokes, ups and downs, twists and turns,and full of artistic charm. They are not inferior tothe elegant "Orchid Pavilion" and directly surpass theYan family's "Sacrifice to the Nephew", making them amasterpiece of running script. Cursive script is aslight as a feather, with dragons and phoenixes dancing.

　　His strokes are like flowing clouds, like flowingwater, with a lively and lively expression. The penmoves with ease, capturing and freely stretching, up,down, left, right, and between the strokes, there isno ambiguity or slackness, and the Dharma is all betweenhis fingertips. Teacher Chen Wanquan's calligraphyemphasizes the integration of meaning, spirit, andcharm, with a deep understanding of character andspirit. When writing, he uses his momentum to achievea seamless completion. Its calligraphy structure isneat, the brushstrokes are varied, and the square andcircle are used together, solemn and generous. Thereis movement in stillness, stillness in movement, likeflowing clouds, the Dharma is natural, like a gentlebreeze, with a profound artistic conception. The styleis elegant, the structure is divine, and the physiqueis innate. However, his works are also like character,showcasing his talents and virtues, and those whoappreciate them are delighted. His cursive script isalmost entirely connected and written in one stroke.Although there may be occasional disjunctions betweencharacters, the meaning of the strokes runs through thetop and bottom, and the head and tail echo each other,while the blood vessels are connected, giving amomentum of flying strokes, transforming like dragonsand leopards, and achieving unity. In the process ofwriting, every standing part of a character seems tobe full of danger, but it is also skillfully able tobuckle firmly in danger, so that the shape does not havethe suspicion of being crooked or soft, but has agraceful and graceful flying posture.