《中西交融·水墨新声》2026国际书画巨献艺术大展——荆浚轩
发布时间:2026-01-01 22:36:12 阅读量:2
荆浚轩,山东莱州人。1968 年出生,号知味斋主人、润知堂主。师从中国著名书画大师王瑞荣. 付小旗学习书画,著名书画名家周保国先生的弟子。毕业于文化部文化艺术人才中心高级书画研修班。
现任职务
现为:中华人民共和国文化部高级书法家,中南海国宾礼特邀艺术家。中国警事警察艺术之家秘书长、人民美术报理事会副主席,中国关心下一代工作委员会“美育中国青少年美体节”评审委员会主席,清华大学美术学院客座教授,中国书画家协会副主席,中国慈善艺术家协会副主席,中国警察论坛宣传部副主任中国长征精神研究院山东省分院院长,中国人民美术家协会副会长,中国翰林书画院副院长,中国翰林院美术馆副馆长。中国春草派诗歌研究协会潍坊分会主席!
荣誉经历
2014,2015 年度华人百强书画家、2015 年度荣入《时代先锋》、当代最具卓越贡献的艺术人物、中国传统文化传承与发展特殊贡献奖获得者、中国当代爱心艺术家;2016 庆祝中国共产党成立95 周年书画六人集《精湛艺术献给党》封面题写者、2016 年《华夏英杰》杰出人物;2019 年庆祝新中国成立 70 周年当选《人民功勋艺术家》。中国当代最具收藏潜力艺术家;2020 年被任命《人民艺术家》,庆祝中国共产党成立 100 周年被收录《党旗下的艺术家》。2022 被评为:中国文化艺术国际传播大使,中国传统文化国际巅峰人物,同时入编《中国近代艺术家年鉴》,2023 入编《中国美术通史》。
艺术造诣
书法为华夏民族特有的高级艺术,它用笔墨表现书家的人格和个性情感,而给人的美感有如音乐。可以说,中国的书法美也是中国书法从表达语言的工具而走向艺术高峰的重要标志荆浚轩先生的书艺往往把人带入如沐清风,如饮醇醪、如聆仙乐的艺术意境之中。从荆浚轩先生的书法中,我们仿佛读出了老庄的道、释家的禅,读出了书家的学养与神采。
人物评价荆浚轩先生为人谦和,气质优雅,善结人缘。而荆浚轩先生的书法继承发扬传统书法艺术的同时,研究并发展创造了自己的风格特色。他的书法艺术从笔力、章法、神韵、气势上大有独特之处。他的书法有两大看点:1,新:源于传统而随众流,书风清新。2,作品留美、润胜、跌宕和谐,不激不励。他的书法还有三大特点:1,传统功夫深厚,出二王一脉,小楷、隶书、行书、榜书四体皆能,发备字精。2,书存两气,有金石之气,文人之气。3.简约醇厚,久品恬神。荆浚轩先生的书法艺术师法传统,师古而化。他针对书法史上的名人大家,以取其精华,总体肯定,却不迷信盲从,照搬照抄,而注意以“美”为本,不受书体之局限。他把书法创作的过程看作是情感,情绪宣泄的过程。运笔的轻重顿挫、刚柔、虚实、疏密...皆为感情趋势。可谓笔笔有缘、字字有根、篇篇有风格,可谓大家风范十足。
荆浚轩先生写字没有条条框框,不拘于哪家哪派哪家书体,他用一颗赤子之心去体察探索祖国传统书法艺术的笔韵,他看重作品所展示的气势,气韵和气质。他吐故纳新,熔古铸今使作品既有风范,又有时代气息。创作了自己鲜明的书法风格!
人民艺术家郭兰英先生收藏荆浚轩作品
Jing Junxuan, from Laizhou, Shandong. Born in 1968, known as the Master of Zhiwei Zhai and the Master of Runzhi Hall. Studied under the renowned Chinese calligraphy and painting master Wang Ruirong Fu Xiaoqi studied calligraphy and painting, and was a disciple of the famous calligraphy and painting master Mr. Zhou Baoguo. Graduated from the Advanced Calligraphy and Painting Training Class of the Cultural and Artistic Talent Center of the Ministry of Culture.
Current Position
I am currently a senior calligrapher of the Ministry of Culture of the People's Republic of China and a specially invited artist for the Zhongnanhai State Guest Ceremony. Secretary General of the China Police Art House, Vice Chairman of the People's Art Newspaper Council, Chairman of the Evaluation Committee for the "Art Education China Youth Sports Festival" of the China Care for the Next Generation Working Committee, Visiting Professor at the Academy of Fine Arts, Tsinghua University, Vice Chairman of the Chinese Calligraphers and Painters Association, Vice Chairman of the Chinese Compassionate Artists Association, Deputy Director of the Propaganda Department of the China Police Forum, Dean of the Shandong Branch of the China Long March Spirit Research Institute, Vice President of the China People's Artists Association, Vice President of the China Hanlin Calligraphy and Painting Academy, and Deputy Director of the China Hanlin Academy Art Museum. Chairman of the Weifang Branch of the Chinese Spring Grass Poetry Research Association!
Honors and Awards
Top 100 Chinese Calligraphers and Painters of 2014 and 2015, honored as a "Pioneer of the Times" in 2015, contemporary artist with outstanding contributions, recipient of the Special Contribution Award for the Inheritance and Development of Chinese Traditional Culture, and contemporary Chinese caring artist; In 2016, the author of the cover of "Exquisite Art for the Party", a collection of six painters celebrating the 95th anniversary of the founding of the CPC, and an outstanding figure of "Chinese Heroes" in 2016; Elected as a "People's Meritorious Artist" to celebrate the 70th anniversary of the founding of New China in 2019. Chinese contemporary artist with the greatest potential for collection; In 2020, he was appointed People's Artist to celebrate the 100th anniversary of the founding of the CPC and was included in The Artists under the Party. In 2022, he was awarded the title of Ambassador for International Communication of Chinese Culture and Art, the international peak figure of Chinese traditional culture, and was included in the "Yearbook of Modern Chinese Artists". In 2023, he was included in the "General History of Chinese Art".
Artistic attainments
Calligraphy is a unique advanced art of the Chinese nation, which uses brush and ink to express the personality and emotions of calligraphers, and gives people a beauty similar to music. It can be said that the beauty of Chinese calligraphy is also an important symbol of the rise of Chinese calligraphy from a tool for expressing language to an artistic peak. Mr. Jing Junxuan's calligraphy often brings people into the artistic atmosphere of bathing in the cool breeze, drinking mellow wine, and listening to immortal music. From Mr. Jing Junxuan's calligraphy, we seem to have read the Tao of Laozhuang and the Zen of the Shi family, as well as the education and spirit of calligraphers.
Character evaluation: Mr. Jing Junxuan is humble, elegant, and good at building relationships. Mr. Jing Junxuan's calligraphy inherits and promotes traditional calligraphy art, while also researching and developing his own style and characteristics. His calligraphy art has unique features in brushwork, composition, charm, and momentum. His calligraphy has two major highlights: 1. New: Originating from tradition and following the crowd, the style of calligraphy is fresh. 2. The work should remain in the United States, be smooth and harmonious, and be neither exciting nor inspiring. His calligraphy also has three major characteristics: 1. Deep traditional martial arts skills, with a lineage of two kings, able to write in all four styles including small regular script, clerical script, running script, and imperial script, and possessing excellent character preparation skills. 2. Books have two qualities: the spirit of gold and stone, and the spirit of literati. 3. Simple and mellow, long-lasting and serene. Mr. Jing Junxuan's calligraphy art follows the tradition and adapts to the past. He aimed at the famous people in the history of calligraphy to take its essence and generally affirmed it, but he did not blindly follow the superstition and copy it, and paid attention to the "beauty" as the basis, not limited by the calligraphy style. He regards the process of calligraphy creation as an emotional and emotional release process. The strokes are characterized by ups and downs in weight, rigidity and flexibility, virtuality and virtuality, and density All are emotional trends. It can be said that the strokes have fate, the words have roots, and the articles have style, which can be described as full of aristocratic style.
Mr. Jing Junxuan's handwriting is not limited by any particular style or style of calligraphy. He uses a childlike heart to explore and appreciate the brushwork of traditional Chinese calligraphy art. He values the grandeur, charm, and temperament displayed in his works. He reflects on the old and embraces the new, blending ancient and modern elements to create works that are both elegant and contemporary. Created my own distinctive calligraphy style!
人民艺术家郭兰英先生收藏荆浚轩作品
著名主持人李彬收藏荆浚轩作品
